Though Freud was not able to answer the question “What do women want?,” Armani here confidently replies to that query’s male equivalent: good abs.
Apparently photographed while talking, the young man most prominent in the image really does not seem to be conversing with the woman. Not looking at anyone in particular, the male model might be chatting to himself or offering a bit of advice to someone in the street. Essentially he stands alone and like a statue. As the female model’s left arm appears to be about to swing out of the picture, it looks like she is walking, but a step or so behind the man. Her gaze and one hand on his shoulder is more of adoration than of desire.
The billboard has two points of focus: the man’s midsection and the woman’s left hand. The conclusion from this is that the models were photographed separately and then Photoshop was the matchmaker. Also, the woman’s right hand has a disembodied quality. An interesting feature of the composition is the text placed just below the models’ crotches, as if to underline those portions of their anatomies.
There are some differences between this Armani billboard and the ones that preceded. The current version is completely in color, where the others were mostly or all shades of grey. The earlier ones featured a lone woman, while this one shows a man and a woman. Strength, with the hands in particular, is not prominently displayed here. The women in the other billboards often were powerful with over-sized Davidesque hands. Even though the male model has Mediterranean looks and is practically semi-nude, there ends the resemblance to Michalangelo’s Goliath killer. The model’s one hand that’s shown is delicate and dangling. Both the man and the woman are not accessorized by the apparel; instead, the pair are the garments’ decorations.
And then there’s the out-of-focus secondary man, obscured by the woman. Who is that? That’s the primary man’s old, pre-Armani self who’s now out of the picture.